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Hey Photographers! It's time for another round of our Studio & Location Lighting Workshop! This is my favorite workshop I've ever taught and it's time for another one! If you're interested in signing up for the class contact me today and we'll get you in the list. This workshop is limited to 10 photographers so that you'll get ample time to shoot and get one-on-one instruction. We'll have multiple models throughout the day, including an engagement section. 



What will be doing? 

9am: Understanding How Light Works & Getting Your Flash Off Camera
10am: Modifiers: What & Why?  
11am: Break for Lunch
12pm: Where do I put my Light?! 
1pm: Lighting Individuals & Couples
3pm: Lighting Groups & Events
4pm: Working with Ambient



What will you learn? 
-Understanding Light-
-Getting your flash off your camera-
-Different Lighting Modifiers-
-One and Two Light Set Ups-
-Balance Flash to Ambient Light-

If you're interested or have questions feel free to contact me, if you want to sign up, follow this link to do so! 

Mike Johnson
435-764-4241
mike@endless.photography

*payment due at time of booking


*payment includes one person
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If you've ever been around me for very long, you'll know that I make up words. My clients are always laughing at my made up words and my wife is always rolling her eyes at them. But a few years ago I started using the word 'Fokeh' to describe one of my favorite photographic techniques. One of my current classes I'm teaching has been hassling me to write a blog post explaining the word fokeh and why I use it, so here ya go! 



I derived the word fokeh from the word bokeh. Bokeh is a Japanese word used in the photography world to describe the quality of the background blur of an image. The actual definition of the word bokeh (according to Google): 


"the visual quality of the out-of-
focus areas of a photographic image, especially as rendered
by a particular lens."

So most photographers know what bokeh is and it's a very commonly used style and photographers spend thousands of dollars on lenses for the specific purpose of creating creamy bokeh. 

So on to Fokeh! Although bokeh refers to any out of focus area of the image, it is most commonly used in reference to the background, so whenever I purposely blur our an object in the foreground of an image, it gets referred to as fokeh. Background blur is bokeh, foreground blur is fokeh. Foregroundkeh. 


The reason I love fokeh and use it frequently in my images is it creates more depth to the image. There are more layers and a more three dimensional feel to an image with an obvious foreground, subject and background. I also feel that it can create some separation from the subject of the image. It looks as though you're peering into their world and catching a moment of time. You're not barging in and standing it the way, but subtitling gazing in catching that moment. 


So the next time you see me in a tree or a bush looking like a stalker with my camera, you'll know I'm just trying to get some fokeh. 




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Hey Photographers! It's time for another round of our Studio & Location Lighting Workshop! This is my favorite workshop I've ever taught and it's time for another one! If you're interested in signing up for the class contact me today and we'll get you in the list. This workshop is limited to 5 photographers so that you'll get ample time to shoot and get one-on-one instruction. We'll have multiple models throughout the day, including an engagement section. 




What will be doing? 

10am: Understanding How Light Works & Getting Your Flash Off Camera
11am: Modifiers: What & Why?  
12pm: Break for Lunch
1pm: Where do I put my Light?! 
2pm: Lighting Individuals & Couples
4pm: Lighting Groups & Events
5pm: Working with Ambient



What will you learn? 
-Understanding Light-
-Getting your flash off your camera-
-Different Lighting Modifiers-
-One and Two Light Set Ups-
-Balance Flash to Ambient Light-

If you're interested or have questions, contact us today to secure your spot! 

Mike Johnson
435-764-4241
mike@endless.photography

*payment due at time of booking
*payment includes one person




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I'm really excited to finally be announcing our new offering as a business here in Logan. My wife and I have been discussing this venture for months and we're very happy with our brand new studio where we will able to offer you a unique experience like none other here in Cache Valley! If you are looking for Senior's, Engagements, Wedding or Family photos, give us a call or drop by anytime!

We're located at 71 W Center in Logan and will have our outdoor sign completed within the next week or two! 


Be on the watch for some screaming deals come April on Seniors Photos, Professional Headshots, Family Sessions and even our Wedding Packages! 










Before I head off on my shoot for the evening I've got to say thank you to all those who have helped make this possible. All my amazing clients, friends, family but most importantly my wife. She has stressed and toiled over this with me for months. She's put in hours painting, cleaning and working to make sure our studio looks it's best but more than anything she has always supported me and my obsession with shooting great images for my clients. Thank you darling.

Mike Johnson 
435-764-4241
71 W Center, Logan
www.endless.photography


**Local Photographers: Studio Rentals times may be available, if you're interested, drop by and take a look or contact me anytime.**
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3 Times to Always Use a Tripod

(That you may not have thought about before)

I love teaching photography to new photographers, whether it be through the community classes I teach, the local photography club or one-on-one, I love when I get the chance to see when someones eye's light up when the realize they can now start to turn their visions into reality! During all these teaching moments, one thing I always try to teach others is how important a tripod is, and the response I always get it 'Oh, I use a tripod when I shoot the stars or landscapes, but I never use it besides that'. I want to bring up three times you might not think about using a tripod but times that I find a tripod invaluable to my photography and why. Let's get started!

Studio Portrait Photography

Every time I'm in a studio, I have my tripod, always. Why? Two reasons. First, a tripod is going to get you sharper images. Always. No matter how careful and steady you are, those sticks under your camera will be steadier. Normally when you're in a studio, you're there so you can control every aspect of you image and get the best quality images. Locking your camera down will help optimize the quality your camera can produce. The second and more important reason to pull our your tripod in the studio is that you'll get a more natural image of your subject. When your face is smashed behind your lens and you're talking and directing your subject, they can't see you! You're not a face, or a person, you're a big scary lens! As soon as you drop your camera on a tripod you can pull your face out and give them a person to connect with. You can talk, direct and CONNECT with your subject. You get to be a real person and people connect with real people better than lenses. 


On Location Family Photography

The second time I never fail to get my tripod out is on location family portraits. Once again, there are two main reasons. First, you get to be a person! Just like mentioned above, except now it's even more critical! How hard is it to get a little kid to look at a camera?! Seriously! But if you put the camera on your tripod you don't have to say "Hey Bobby! Look at the camera!". You'll frame your shot, set you setting and stand behind your camera and pull faces, make animal noises, and be goofy! Guess what? That kid is gonna watch you and he's probably gonna crack up laughing if you're silly enough. BAM! You've got him looking at the camera! Done! Also, by getting your camera on a tripod and not moving, it's much easier to do head-swaps in Photoshop if you need to. Just in case you didn't get everyone smiling naturally in multiple images. Head swaps are so much easier if your on a tripod.

Product & Food Photography

Sharpness. Sharpness is key when you're showing off someones gorgeous culinary creations, their hard work on hand crafted soaps, delicately weaved phone case, or whatever else you're shooting. Getting that camera on a tripod is going to maximize your sharpness and it'll make you think about your framing and composition more. Putting that extra time into framing and moving your tripod to the perfect location is going to pay off! Give it a go next time your shooting something small and up close, you'll be amazed at the difference in your images! 

I hope next time you're heading out to shoot, you'll think about dusting off that old tripod and giving it a second chance. Of all the things that has drastically improved the quality of my images, my tripod might be number one. It doesn't matter what gear you're shooting on, a solid set of legs is going to take you're quality up a notch or two. 

Top Tip

Don't buy a ~$50 big box store special! Get something solid, heavy and durable. It's all about being steady! Personally I bought my tripod used on ksl.com and got a $500 tripod for $100 and it's been going strong for years!  

When do you use your tripod?! Let us know in the comments below or on our Facebook and Google Plus! 

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Introduction To Portrait Lighting



Photography is light. That's all it is. Learning to see, capture and control light and share that with others. Learning to control lighting in portraits is the number one most important thing you can do to improve your portraits. Whether you're a natural light shooter, a beginner or love using lighting, learning more about light and how to see and control the way it interacts with your subject will take your photos to the next level! 



I teach an 8 week, portrait lighting class. We focus solely on how to use off camera lighting to choose the best way to light your subject. If this is something that interests you, there are a few spots still available! We'll  cover everything for getting your camera and flash working together, lighting outdoors, studio lighting, groups and weddings and breaking down images to understand and recreate the lighting setup.



Class starts January 15th at 6:30 and it only cost $98 for all 8 weeks! Click here to see a weekly itinerary and how to register! 

Here is what some of my previous students have said about this class: 


"I really enjoyed the lighting class. Mike was very professional and had professional models each week to practice shooting. He was always coming up with new and fresh ideas for different lighting techniques which really helped me to think outside of the box. I would highly recommend the class!" -Kaylin Thompson- "The lighting class taught by Mike Johnson through the CVCA is an amazing class. Mike teaches everything from getting the flash off the camera to color gels, modifiers, and different light set ups. He always had a willing and capable model for the class, he covers the inverse square law and qualities of light. If your ready to take the next step with off camera flash, this is an excellent class." -John Hart- 


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What is Clamshell Lighting? 

Clamshell lighting is a simple two-light setup involving one light above the subject acting as a key light, and one light below the subject creating fill light. It's a easy set up to master and one that will work well with a variety of subjects. Clamshell lighting is most commonly used in beauty and fashion photography, as it create a very soft, smooth light with a flattering glow on your subject. 



Portrait, Beauty, Glamour, Fashion, Model, Lighting, Set up, Ideas, Inspiration, Picture, Photography, Photographer

Clamshell Set-Up:

To set up clamshell lighting you'll need two lights, and two modifiers. You can use umbrella's, softboxes, octoboxes, or beauty dishes. For the example shot today we'll have two beauty dishes, a 28in dish and a 20in dish. To set up the the lights, I would recommend putting your smaller of the two modifiers on the bottom light and the larger on the top light. We'll refer to the top light as our 'key' light and the bottom light as our 'fill' light. As the top light is our main source, or key, light source.

You'll want to make sure your fill light is subsantially lower power than your key light to keep the under glow to a minimum. This will help to open up the shadows and fill your subjects eye's with light. Also make sure your fill like 2-4 stops lower than your key light. In the example shot, our fill was 3 stops lower than our key light.

The actual power settings for your set up will vary depending on the conditions, but we were running two Einstein lights, with our key light at 1/2 power and our fill light at 1/16 power. Our camera settings were ISO 100, f/8.0 and 1/160th. Editing was performed in Adobe Lightroom and Photoshop.

You can see the diagram below to see our set up for this shot. 
Portrait, Beauty, Glamour, Fashion, Model, Lighting, Set up, Ideas, Inspiration, Picture, Photography, Photographer


Here is a behind the scenes shot of the set up, take by Vibrance by Sheree who was on set assisting for the shoot.

Portrait, Beauty, Glamour, Fashion, Model, Lighting, Set up, Ideas, Inspiration, Picture, Photography, Photographer

And another shot taken from my position between the two lights.

Portrait, Beauty, Glamour, Fashion, Model, Lighting, Set up, Ideas, Inspiration, Picture, Photography, Photographer


Final Image: 

And once again, a finished image from our shoot.

Portrait, Beauty, Glamour, Fashion, Model, Lighting, Set up, Ideas, Inspiration, Picture, Photography, Photographer

As you can see the finished image, we're getting a gorgeous glow on Christie's hair from our key light, as well as great definition on her cheek bones and very smooth flattering light. The fill light below the camera is creating a nice catch light in her eye's and opening up the shadows to ensure the light is soft and smooth across the entire image. 

TOP TIP: Bring your lights in as close as you can! The closer the light source, the softer the light will be and you'll also get much more rapid fall-off which will help to create nice soft shadows and definition on your subjects face!

If you have any questions, hit us up in comments below! 

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I love teaching the Portrait Lighting Class at Cache Valley Center for the Arts! This class is seriously one of my favorite parts of my business. If you're looking to create seriously stunning and well let images then this is the class for you! I honestly believe this class is the BEST way in to learn about lighting in Logan. Whether you're a natural light shooter or prefer artificial light, this class will definitely improve your photography. Understanding how to control light will help you understand how to shoot better images. Photography is all about the light in your image. Learn to control it and shape it and you're on your way to creating fantastic images! 

To register for the class go to: http://www.cachearts.org/photography/ and click the purple Register Here button! 



Logan, Cache Valley, Utah, Photographers, Photography, Photos, Club, Classes, Teaching, Lighting, Off Camera Lighting, CVCA, Center for the Arts


There are limited spots available and class starts January 15th and runs for 8 weeks (until March 5th). Class is held every Thursday night at 6:30pm at the Thatcher-Young Mansion in Logan. This class is for photographers of all ages and skill levels.

A brief class outline can be found HERE. 

Requirements for the class: 
  • Any Camera that has Manual Mode
  • A basic understanding of manual mode
  • That's it! We'll teach you all you need to know! No gear require, you'll be able to learn and experience off camera lighting with the equipment in class! 




If you have any questions, comment below or feel free to contact me through my website at: www.endless.photography

I hope to see you there! 


Reviews from previous students: 

"The lighting class taught by Mike Johnson through the CVCA is an amazing class.  Mike teaches everything from getting the flash off the camera to color gels, modifiers, and different light set ups.  He always had a willing and capable model for the class, he covers the inverse square law and qualities of light.  If you're ready to take the next step with off camera flash, this is an excellent class." -John Hart-


"I really enjoyed the lighting class.  Mike was very professional and had professional models each week to practice shooting.  He was always coming up with new and fresh ideas for different lighting techniques which really helped me to think outside of the box.  I would highly recommend the class!" -Kaylin Thompson-








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About Mike Johnson

Hi! Welcome to the blog! Thanks for stopping by! I'm Mike, this place is my life. I'm a photographer, film maker, drone pilot and explorer. This is a place where I try to stay up to date with current work, ideas and projects (but fall behind at times). Have a look around and feel free to contact me with any questions.

Thanks!
Mike

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