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I teach a lot of classes and during those classes one of the most common questions I get asked is "What is your favorite piece of gear in your studio?". My answer almost always is V Flats. Whether you're shooting in a natural light studio or with artificial light, V Flats are fantastic and pretty much the best tool in my studio, I use them on almost every image in the studio. 

First, what is a V Flat? 
V Flats are two 4 foot by 8 foot white/black foam boards that you can use to bounce or absorb light in the studio. They form the shape of a "V" and are generally white on one side and black on the other. Buying a V Flat through a photo studio generally costs $300+ per V Flat (plus shipping!). Today I'll show you how to build two V Flats for under $300 and only about half an hour of time. 

Why have a V Flat? 
Controlling light in the studio in basically the whole point of the the studio. Whether you want to absorb the light or bounce back more light, the V Flat is a fantastic option. 


How to Make your own!
Supplies: 
2 (or 4) sheets of foam core. ($10-$75)
White Duct Tape ($5)
Black Duct Tape ($5) 

What type of foam should I get? For years I've used 4x8 sheets of Insulation foam from the hardware store. I personally used the 1in think foam. It comes white on one side and silver on the other, you can peal the silver off and pain that side black. Done. In the images below I'm building my new V Flats and I'm using what's called 1/2 inch Gilman Infinity Foam Board. The reason I'm replacing my old V Flats is after years, the foam is finally falling apart and full of dings and dents. The advantage of the Infinity Foam Board is that it's dense foam in the center with white plastic on one side and black plastic on the other (image below). Locally I paid $75 per sheet for the foam board, you may be able to find it cheaper elsewhere but it was exactly what I was looking for and free 2 hour delivery, so I jumped on it. 



The advantage of the Infinity Board is that the plastic edges are stronger, and you can clean them and they're hold up longer than the foam board. 

To turn the 4x8 sheets into a V Flat simply takes taping them together with Duct Tape. Using white tape on the white side and and black tape on the black side. 

To make it so I can reverse the white and black easily, I left a 1/2 gap so that there is room for the 'hinge' of tape to swing both directions. 






Once you have them taped together you're ready to go! Stand them up and start shooting. 





For those local photographer, I was able to get my sheets of Infinity Board through Square One Printing and they delivered it for free within 3 hours.

**Side note: I apologize for the cheap phone images, I was on a mission to finish the V Flats, not take pretty pictures**  

If you have any questions, let me know!

Until next time,
Mike Johnson
435-764-4241

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3 Times to Always Use a Tripod

(That you may not have thought about before)

I love teaching photography to new photographers, whether it be through the community classes I teach, the local photography club or one-on-one, I love when I get the chance to see when someones eye's light up when the realize they can now start to turn their visions into reality! During all these teaching moments, one thing I always try to teach others is how important a tripod is, and the response I always get it 'Oh, I use a tripod when I shoot the stars or landscapes, but I never use it besides that'. I want to bring up three times you might not think about using a tripod but times that I find a tripod invaluable to my photography and why. Let's get started!

Studio Portrait Photography

Every time I'm in a studio, I have my tripod, always. Why? Two reasons. First, a tripod is going to get you sharper images. Always. No matter how careful and steady you are, those sticks under your camera will be steadier. Normally when you're in a studio, you're there so you can control every aspect of you image and get the best quality images. Locking your camera down will help optimize the quality your camera can produce. The second and more important reason to pull our your tripod in the studio is that you'll get a more natural image of your subject. When your face is smashed behind your lens and you're talking and directing your subject, they can't see you! You're not a face, or a person, you're a big scary lens! As soon as you drop your camera on a tripod you can pull your face out and give them a person to connect with. You can talk, direct and CONNECT with your subject. You get to be a real person and people connect with real people better than lenses. 


On Location Family Photography

The second time I never fail to get my tripod out is on location family portraits. Once again, there are two main reasons. First, you get to be a person! Just like mentioned above, except now it's even more critical! How hard is it to get a little kid to look at a camera?! Seriously! But if you put the camera on your tripod you don't have to say "Hey Bobby! Look at the camera!". You'll frame your shot, set you setting and stand behind your camera and pull faces, make animal noises, and be goofy! Guess what? That kid is gonna watch you and he's probably gonna crack up laughing if you're silly enough. BAM! You've got him looking at the camera! Done! Also, by getting your camera on a tripod and not moving, it's much easier to do head-swaps in Photoshop if you need to. Just in case you didn't get everyone smiling naturally in multiple images. Head swaps are so much easier if your on a tripod.

Product & Food Photography

Sharpness. Sharpness is key when you're showing off someones gorgeous culinary creations, their hard work on hand crafted soaps, delicately weaved phone case, or whatever else you're shooting. Getting that camera on a tripod is going to maximize your sharpness and it'll make you think about your framing and composition more. Putting that extra time into framing and moving your tripod to the perfect location is going to pay off! Give it a go next time your shooting something small and up close, you'll be amazed at the difference in your images! 

I hope next time you're heading out to shoot, you'll think about dusting off that old tripod and giving it a second chance. Of all the things that has drastically improved the quality of my images, my tripod might be number one. It doesn't matter what gear you're shooting on, a solid set of legs is going to take you're quality up a notch or two. 

Top Tip

Don't buy a ~$50 big box store special! Get something solid, heavy and durable. It's all about being steady! Personally I bought my tripod used on ksl.com and got a $500 tripod for $100 and it's been going strong for years!  

When do you use your tripod?! Let us know in the comments below or on our Facebook and Google Plus! 

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Introduction To Portrait Lighting



Photography is light. That's all it is. Learning to see, capture and control light and share that with others. Learning to control lighting in portraits is the number one most important thing you can do to improve your portraits. Whether you're a natural light shooter, a beginner or love using lighting, learning more about light and how to see and control the way it interacts with your subject will take your photos to the next level! 



I teach an 8 week, portrait lighting class. We focus solely on how to use off camera lighting to choose the best way to light your subject. If this is something that interests you, there are a few spots still available! We'll  cover everything for getting your camera and flash working together, lighting outdoors, studio lighting, groups and weddings and breaking down images to understand and recreate the lighting setup.



Class starts January 15th at 6:30 and it only cost $98 for all 8 weeks! Click here to see a weekly itinerary and how to register! 

Here is what some of my previous students have said about this class: 


"I really enjoyed the lighting class. Mike was very professional and had professional models each week to practice shooting. He was always coming up with new and fresh ideas for different lighting techniques which really helped me to think outside of the box. I would highly recommend the class!" -Kaylin Thompson- "The lighting class taught by Mike Johnson through the CVCA is an amazing class. Mike teaches everything from getting the flash off the camera to color gels, modifiers, and different light set ups. He always had a willing and capable model for the class, he covers the inverse square law and qualities of light. If your ready to take the next step with off camera flash, this is an excellent class." -John Hart- 


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2015 Christmas Special




Merry Christmas from my family to yours! We're offering 25% off any session scheduled before January 1st, 2015! Your shoot must be scheduled before January 1st, but the shoot date can be anytime! To schedule your session, contact Mike for availability at:
435-764-4241
endlessphotography.mj@gmail.com



*Not valid with other offers
*Expires January 1st, 2015



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Over the weekend I set up a fabulous group shoot in Logan with some incredible models and photographers. I love working and collaborating with other photographers, which is why I organize the Cache Valley Photographers Club every Wednesday in Logan, there is so much value in working with other photographers. This past week I spent time working with these two wonderful models, Mandylyn and Christie. They both are killer talented models who were a blast and to work with!
Logan Fashion Photographers Endless PhotographyLogan Fashion Photographers Endless Photography

Logan Fashion Photographers Endless Photography

Logan Fashion Photographers Endless Photography


The dresses for the shoot were provided by Gown Town and we had two amazing make up artists, Tia Montgomery and Carrie Purser. 

Feel free to check out my website for my full portfolio and any other information you need!  

Mike Johnson
www.endless.photography
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About Mike Johnson

Hi! Welcome to the blog! Thanks for stopping by! I'm Mike, this place is my life. I'm a photographer, film maker, drone pilot and explorer. This is a place where I try to stay up to date with current work, ideas and projects (but fall behind at times). Have a look around and feel free to contact me with any questions.

Thanks!
Mike

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